
At long last I'm posting about my new artwork Knit for Defense which premiered at the Renwick Gallery this summer in DC as part of 40 Under 40: Craft Futures exhibition curated by Nicholas Bell (up July 20, 2012 - Feb 2013).
Here's an interview with Jenny Gill of Creative Capital In Focus Cat Mazza's Knit for Defense
I have a little sound bite in Neda Ulaby's story Are All Young Artists 'Post-9/11' Artists? that aired today on NPR's Weekend Edition.
Link to show at Renwick Gallery
The soft cover catalog with Sabrina's Gschwandtner's artwork (!) on cover is available on Yale University Press. It includes nice essays including "body craft: preaching, performance, and process" by Julia Bryan-Wilson.
The Smithsonian American Art Museum's has acquired the piece for permanent collection.
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Eight women stood in a line opposite the Kremlin, neon balaclavas hiding their faces, fists pounding the air in rugged defiance. Before police carted them off, the members of Pussy Riot managed to shout their way through a minute-long punk anthem: "Revolt in Russia – the charisma of protest / Revolt in Russia, Putin's got scared!" LINK TO Guardian article (via Malav)
Knit balaclava pattern here LINK
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The International Labor Rights Forum posted a "Garment and Textile Worker Organizing,
Then and Now" handout for the 100 year anniversary of the Bread and Roses strike in Lawerence, Massachusetts. Here's the link. Thanks Liana.
She earned her Ph.D in History from UCLA in 1974. In the 1960s and 1970s, she was active in the anti-Vietnam War and radical left movements and worked closely with the SDS, the Weather Underground, and the African National Congress. She was also very active in the women's rights movement, and from 1968–1970 was a leading figure, along with Maureen Maynes, Dana Densmore and Betsy Warrior, in the radical feminist group, Cell 16.
In 1977, she and Jimmie Durham organised the Conference on Indians in the Americas in Geneva. She has authored a number of scholarly books and articles on Native American history, and has published three memoirs, Red Dirt: Growing Up Okie (1997); Outlaw Woman: A Memoir of the War Years, 1960–1975 (2002); and Blood on the Border (2005), which is about what she saw during the Nicaraguan Contra war against the Sandinistas in the 1980s. Outlaw Woman won recognition from the Organization of American Historians as a 2003 finalist for the Liberty Legacy Foundation Award in the field of American civil rights struggles. Her writing has also appeared in Monthly Review and The Nation, and on the CounterPunch website. She is presently Professor Emerita of Ethnic Studies at California State University, Hayward.
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